The original “Scarface” unfolded rapidly the scenes went bam-bam fast. The film is fine until it gets into the 1932 story. Murray Abraham he manages to look like a shark here, and every time he appears in a scene, its energy level jumps. And Frank’s henchman, Omar, an anxious, pockmarked creep who has a big laugh for his boss’s jokes, is played by the whirlwind F. Frank’s bored girlfriend, Elvira, a Wasp junkie with silken blond hair and a mannequin’s cool, is played by Michelle Pfeiffer, a funny, sexy beauty who slinks across the screen-she’s the Platonic ideal of classy hooker. Frank Lopez, the Hispanic-Jewish kingpin of the Miami drug trade, who takes a fancy to Tony, is like any number of movie producers: as played by Robert Loggia, he’s a big, beefy windbag who enjoys being expansive and handing out paternal advice. (The massacre is awesome-a slapstick comedy of horrors which just goes streaking by.) And our first encounters with the other characters raise our expectations. These two sequences are planned and edited with staccato, brutal efficiency De Palma seems to be adapting his techniques to naked melodrama, chain saw and all. We see the sadistic murder that the two of them carry out in order to buy their freedom, and then the first drug deal that Tony handles, which turns into a bloody massacre. In these lushly ominous early sequences, the American immigration officers spot Tony for what he is, and they put him and his pal Manolo (Steven Bauer) in a detention camp. The swaying movements of music and image suggest a developing delirium. With Giorgio Moroder’s synthesizer music pulsating and with shots of the arrival of the “Marielitos” (the Cubans who set out from Mariel Harbor), it feels like the beginning of a new-style, post-“Godfather” gangster epic-hot and raw, like a spaghetti Western. “Me, I want what’s coming to me,” he says-“the world and everything in it.” He’s an angry, vindictive killer, and he sees America as the land of opportunity.įor the first three-quarters of an hour, the film is garish and intense. Tony Montana boils with resentment because other people have a soft life, and more money than he has. The basic story fits right into the early eighties: the new Scarface is a Cuban, one of an estimated ten thousand inmates of jails and mental institutions whom Castro, having his little joke, deported to the United States in 1980, when President Carter (briefly) opened the doors to Cuban refugees. As the central character in the new “Scarface,” directed by Brian De Palma from a script by Oliver Stone, he scrambles up the rungs of the Miami drug world the way that Paul Muni, as an Italian immigrant, climbed to the top of the Chicago bootlegging business in the 1932 “Scarface.” Modelled on the career of Al Capone, the 1932 film, like the other prototypical gangster pictures “Little Caesar” and “The Public Enemy,” both of 1931-was set during Prohibition. The slash of a scar that runs through one eyebrow and down across the cheekbone seems to go right to his soul there’s something dead in his face-as if ordinary human emotions had rotted away, leaving nothing but greed and a scummy shrewdness. In my free time, I enjoy traveling and spending time with family, friends and my two dogs Lily and Winston.Al Pacino’s Tony Montana is small and mean. With the knowledge to know what's best for clients, not being scared to say no, and always putting the client first, is what drives and motivates me each and every day.Īs a Colorado native, I appreciate everything this beautiful state has to offer. Being lucky enough to have clients trust you is beyond rewarding. Watching clients believe they are beautiful -inside and out- is a gift. Everything I do and create is based on what I believe wholeheartedly in and am passionate about. Having the opportunity to witness clients feel better, prettier, and more confident is not only an honor but a privilege to be a part of. In my relentless pursuit to be the best, I continuously push myself to learn and perfect my craft. With my esthetician license and permanent makeup certification, I’m able to use my skills and techniques to provide the best services my clients deserve. After years of soul-searching and working in a career that wasn’t fulfilling, I made the decision to pursue a more important purpose. The ability to help others feel more confident and let their inner-beauty shine is something that truly ignites a fire within me. My passion for being an esthetician goes beyond the surface.
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